Info

My practice explores the relationship between ecology, perception, and material systems through sculpture and installation. Using industrial and mechanised materials, I create immersive environments that reimagine, distort, and abstract natural phenomena. These works are not representations of nature but transpositions: artificial systems that echo ecological behaviours and function as perceptual technologies, shaping how sensory, emotional, and cognitive experience unfold within constructed space.

Across the installations, natural effects often appear without their expected causes. Grass moves without wind, streams emerge without water, storms gather without sky. By uncoupling cause and effect, the work destabilises accepted distinctions between the organic and the synthetic, foregrounding perception as an active force in how nature is experienced and understood whilst challenging assumptions about truth and reality.

The work dissolves boundaries between human and environment, experience and memory, matter and myth. By blurring these registers, the installations become ecotonal spaces of resonance and entanglement, where purpose and place remain in constant negotiation.

The practice is grounded in sustained engagement with material behaviour and perceptual ambiguity. Works develop through extended prototyping and fabrication, emerging from technically complex processes rather than rapid production. Industrial structures are pushed toward states of fluidity, responsiveness, and apparent contradiction, where rigid systems begin to behave organically.

Installations often begin as visibly mechanical or austere forms, unfolding into contemplative environments that engage sensory memory and embodied awareness. Through this process, what initially appears industrial reveals a quieter, more nurturing presence, inviting sustained attention rather than immediate interpretation.

Rather than assert dominion over nature, the work proposes a return to dialogue: an alignment between the artificial and the organic. In an age marked by ecological rupture and technological immersion, the installations open space for reflection on how we live, what we have come to accept, and how perception adapts within constructed space. They do not aim for resolution but resonance, allowing understanding to emerge through perception, memory, and response.